http://www.ratinghq.comRatinghq Category Comments Feed for RomanceRatingHQ (http://www.ratinghq.com)enSet against the anti-war protests, rock & roll revolution, and mind-expanding psychedelia of the 1960s, Julie Taymor's hallucinogenic musical follows the arduous journey of star-crossed lovers Jude (Jim Sturgess) and Lucy (Evan Rachel Wood) as they and a small group of musicians are swept up in the raging waters of the volatile counterculture movement. Guided through their journey by a pair known only as Dr. Robert (Bono) and Mr. Kite (Eddie Izzard), Jude and Lucy are eventually forced to find their way back to one another after being split apart by powerful forces beyond their control. The music in the film consists exclusively of songs made popular by the Beatles during the time period depicted in the movie.http://www.ratinghq.com/5-268/across-the-universe.html2008-05-15 04:37:13Actor and filmmaker John Turturro wrote and directed this emotionally resonant blend of music and drama. Nick Murder (James Gandolfini) is an ironworker who has been married for years to Kitty (Susan Sarandon), who works as a seamstress and is the mother of Nick's three daughters. While Nick loves his wife, his head is turned by Tula (Kate Winslet), a sexy salesgirl at a lingerie shop, and soon they're having a passionate affair. When Kitty finds out about Nick's infidelity, she becomes enraged and kicks him out of the house, forcing him to decide what he really wants out of life and what is most important to him. Along the way, many of the characters in the film periodically turn to their favorite songs to explain and amplify their emotions, lip-synching along with the original recordings. Romance & Cigarettes also stars Steve Buscemi, Mandy Moore, Christopher Walken, Eddie Izzard, and Elaine Stritch.http://www.ratinghq.com/5-269/romance-cigarettes.html2008-05-15 04:38:38One of the most popular stage musicals in the history of Broadway and London's West End makes its long-awaited arrival on the motion-picture screen in this lavish adaptation directed by Joel Schumacher. Christine (Emmy Rossum) is a beautiful and gifted young woman who longs to join the company of the Paris Opera House. During rehearsals for one of the opera's grand productions, a backdrop falls and crashes to the floor, nearly crushing leading lady Carlotta (Minnie Driver). When several members of the company suggest this could be the work of the "Phantom of the Opera," a spectral presence said to haunt the building, Carlotta drops out of the show, and the fates permit Christine to step in as her replacement. Christine's performance is a triumph, and on opening night she becomes reacquainted with Raoul (Patrick Wilson), a former childhood friend who is now a wealthy and well-known nobleman. Christine soon finds herself smitten with the handsome Raoul, but the same evening she makes a startling discovery -- the story of the Phantom is not just a legend. A brilliant but horribly disfigured composer (Gerard Butler) lives deep in the depths of the opera house, and taken with the beauty of Christine's voice, he abducts her and brings her to his lair, where he offers to help her perfect her talents, offering to write an opera especially for her. As the terrified Christine is comforted by Raoul, the two fall in love, but the phantom sees her affection for Raoul as a tremendous betrayal, and the jealous phantom nearly kills Christine as he nearly killed Carlotta. When the phantom emerges to present the opera's management with the piece he has written for Christine, the singer is asked to put her life on the line in an effort to capture the mad genius once and for all. Andrew Lloyd Webber's musical version of Gaston Leroux's novel, which had already enjoyed several stage and screen adaptations in the past, opened in London in 1986 and has been a popular favorite around the world ever since; the show was still running in New York and London when the film version premiered in late 2004.http://www.ratinghq.com/5-270/the-phantom-of-the-opera.html2008-05-15 04:40:03The very British sensibilities of Jane Austen are introduced to the exotic flavors of the Bollywood musical in this romantic comedy with songs from the director of Bend It Like Beckham, Gurinder Chadha. Lalita Bakshi (Aishwarya Rai) is the lovely and eligible daughter of her socially ambitious mother and father (Nadira Babbar and Anupam Kher). Mother and father want to be sure that Lalita, the most beautiful of their four daughters, settles down with a man worthy of her, but she has proven resistant to matchmaking, announcing that she will choose her own husband, and will choose him for love. While mother is keen on the profoundly annoying Kholi (Nitin Chandra Ganatra), Lalita has had her head turned by a handsome vagabond from England, Johnny Wickham (Daniel Gilles). But while attending the wedding of a friend, Lalita meets Will Darcy (Martin Henderson), a college buddy of family friend Raj (Naveen Andrews) who is the son of a wealthy hotel magnate. Lalita finds that Will makes a strong impression on her -- she can't stand him, but she also can't get him out of her mind. Will feels the same way about her, and as they inadvertently chase one another over three continents, will morbid fascination grow into true love? Bride and Prejudice marked the first English-speaking role for Aishwarya Rai, who had firmly established herself as India's leading female star when this film was made.http://www.ratinghq.com/5-271/bride-and-prejudice.html2008-05-15 04:42:22The longest-running show in the history of the American theater (it opened at an off-Broadway theater in the spring of 1960, where it remained until the production finally closed in early 2002) finally arrives onscreen. Hucklebee (Brad Sullivan) and Bellamy (Joel Grey) are a pair of small town fathers who are scheming to bring their children Matt (Joseph McIntyre) and Luisa (Jean Louisa Kelly) together in a romance. As a carnival arrives to bring some excitement to the sleepy village, the fathers persuade a mysterious interloper named El Gallo (Jonathan Morris) to stage a mock abduction of Luisa, which will hopefully prompt Matt to come to her rescue. However, while El Gallo's plan succeeds, he also awakens his innocent charges to the darker and more disappointing side of love. The Fantasticks was shot and edited in 1995, but beyond a few preview screenings, it went unreleased until the fall of 2000. The film marked the dramatic debut of former New Kids on the Block vocalist Joseph McIntyre, and features Teller (of the magic/performance art duo Penn & Teller) in a rare speaking role.http://www.ratinghq.com/5-272/the-fantasticks.html2008-05-15 04:43:58Gene Kelly does his patented Pal Joey bit as Jerry Mulligan, an opportunistic American painter living in Paris' "starving artists" colony. He is discovered by wealthy Milo Roberts (Nina Foch), who becomes Jerry's patroness in more ways than one. Meanwhile, Jerry plays hookey on this setup by romancing waif-like Lise Bouvier (Leslie Caron) -- who, unbeknownst to him, is the object of the affections of his close friend Henri (Georges Guetary), a popular nightclub performer. (The film was supposed to make Guetary into "the New Chevalier." It didn't.) The thinnish plot is held together by the superlative production numbers and by the recycling of several vintage George Gershwin tunes, including "I Got Rhythm," "'S Wonderful," and "Our Love Is Here to Stay." Highlights include Guetary's rendition of "Stairway to Paradise"; Oscar Levant's fantasy of conducting and performing Gershwin's "Concerto in F" (Levant also appears as every member of the orchestra); and the closing 17-minute "American in Paris" ballet, in which Kelly and Caron dance before lavish backgrounds based on the works of famed French artists.http://www.ratinghq.com/5-273/an-american-in-paris.html2008-05-15 04:45:26Judy Garland was originally slated to star in MGM's film version of Irving Berlin's Annie Get Your Gun, but she was forced to pull out of the production due to illness (recently discovered out-takes reveal a gaunt, dazed Garland, obviously incapable of completing her duties). She was replaced by Betty Hutton who, once she overcame the resentment of her co-workers, turned in an excellent performance--perhaps the best of her career. Hutton is of course cast as legendary sharpshooter Annie Oakley, who ascends from dirty-faced backwoods gamin to the uppermost rungs of international stardom. Her mentor is Buffalo Bill, played by Louis Calhern (like Hutton, Calhern was a last-minute replacement: the original Buffalo Bill, Frank Morgan, died before production began). Annie's great rival is arrogant marksman Frank Butler (Howard Keel) with whom she eventually falls in love. She goes so far as to lose an important shooting match to prove her affection--a scene that hardly strikes a blow for feminism, but this is, after all, a 1950 film. Of the stellar supporting cast, J. Carroll Naish stands out as Sitting Bull, whose shrewd business acumen is good for several laughs. Virtually all the Irving Berlin tunes were retained from the Broadway version, including "Doin' What Comes Naturally", "You Can't Get a Man with a Gun", "Anything You Can Do", "The Girl That I Marry", "My Defenses are Down", "They Say It's Wonderful" and the rousing "There's No Business Like Show Business", which was later tantalizingly excerpted in MGM's pastiche feature That's Entertainment II. Alas, due to a complicated legal tangle involving the estates of Irving Berlin and librettists Herbert Fields and Dorothy Fields, Annie Get Your Gun hasn't been shown on television in years.http://www.ratinghq.com/5-274/annie-get-your-gun.html2008-05-15 04:47:20After making a string of social commentaries, Canadian director Deepa Mehta satirizes India's beloved genre in the lighthearted romantic musical Bollywood/Hollywood. Indo-Canadian millionaire Rahul (Rahul Khanna) goes against the wishes of his mother and grandmother to date the Caucasian pop star Kimberly (Jessica Paré); however, she gets killed in an accident and he is left devastated. His mother (Moushumi Chatterjee) seizes the opportunity and announces that he must get engaged to an Indian girl before his sister is allowed to wed. This is complicated by the fact that his sister is already engaged and pregnant. Under pressure, Rahul enlists the help of Sue (supermodel Lisa Ray), a professional escort who agrees to play the part of his Indian fiancée. He thinks she is really Hispanic, and she claims to have no love for traditional Indian men. Throughout his sister's wedding preparations, Sue begins to befriend his entire family, including the tough old grandmother (Dina Pathak). After some random bursts into songs and dances, Sue reveals her true identity and they fall in love.http://www.ratinghq.com/5-275/bollywood-hollywood.html2008-05-15 04:48:28Reportedly, Vincente Minnelli turned down the opportunity to film Brigadoon on location in Scotland insisting that MGM's studio mockups looked more Scottish than the genuine article. This lavish adaptation of the Lerner and Loewe Broadway musical stars Gene Kelly as an American tourist who stumbles upon an enchanted Scottish village. Every 100 years, the people of Brigadoon awaken for a 24-hour period, then go back to sleep for another century while Brigadoon itself vanishes in the mists. Tommy Albright (Kelly) falls in love with village lass Fiona Campbell (Cyd Charisse) while his hard-drinking pal, Jeff Douglas (Van Johnson), dismisses the legend -- and indeed the existence of Brigadoon as a result of delirium. Fiona's betrothed Harry Beaton (Hugh Laing), upset by Kelly's intervention, threatens to leave Brigadoon -- an act that will spell doom for its residents. When this crisis has passed, Tommy is persuaded against his better judgment to escape Brigadoon himself and return to his own fiancée (Elaine Stewart) in New York. But the love between Tommy and Fiona results in a miraculous finale. Most of the Lerner-Loewe score remains intact, including the hit songs "Almost Like Being in Love," "Heather on the Hill," and "Come to Me Bend to Me."http://www.ratinghq.com/5-276/brigadoon.html2008-05-15 04:49:55Tony-nominated actor Todd Graff makes his directorial debut with the musical comedy Camp, featuring an ensemble cast of newcomers. Guitarist Vlad (Daniel Letterle) attends Camp Ovation, the summer theater camp for budding actors, dancers, and musicians. Finding himself to be one of the only hetero boys around, he soon befriends nice girl Ellen (Joanna Chilcoat). Meanwhile, openly gay Michael (Robin de Jesus) develops a crush on him. This sparks dramatic confrontations among fellow campers Jenna (Tiffany Taylor), Jill (Alana Allen), and Fritzi (Anna Kendrick). The whole camp is run by Bert Hanley (Don Dixon), a washed-up Broadway songwriter who decides to enlist the help of his young campers to put together a new production. Features musical numbers by Stephen Sondheim and the Rolling Stones, as well as original tunes from composer Michael Gore and lyricist Lynn Ahrens. Camp was nominated for the Grand Jury Prize at the 2003 Sundance Film Festival.http://www.ratinghq.com/5-277/camp.html2008-05-15 04:51:36In 1943, Oscar Hammerstein Jr. took Georges Bizet's opera Carmen, rewrote the lyrics, changed the characters from 19th century Spaniards to World War II-era African-Americans, switched the locale to a Southern military base, and the result was Carmen Jones. Dorothy Dandridge stars as Carmen Jones, tempestuous employee of a parachute factory. Harry Belafonte plays Joe (originally José), a young military officer engaged to marry virginal Cindy Lou (Olga James). When Carmen gets into a fight with another girl, she is placed under arrest and put in Joe's charge. Succumbing to her attractiveness, Joe accompanies Carmen to her old neighborhood, where, after killing a sergeant sent to retrieve him, he deserts the army. Carmen tries to be faithful, but fortune-telling Frankie (Pearl Bailey) warns her that she and her soldier are doomed. Enter Joe Adams in the role of boxer Husky Miller (a play on Carmen's bullfighter Escamillo), who sweeps Carmen off her feet, ultimately with tragic consequences. Alhough both Dorothy Dandridge and Harry Belafonte were singers, their opera voices were dubbed in by LeVern Hutcherson and Marilyn Horne.http://www.ratinghq.com/5-278/carmen-jones.html2008-05-15 04:53:16In this lively adolescent-oriented musical, a city kid attempts to adapt to life in an ultra-conservative backwater Midwestern town. Once there he ends up leading the repressed teenagers into a rebellion against the town fathers who have outlawed rock & roll and dancing.http://www.ratinghq.com/5-279/footloose.html2008-05-15 04:54:03From the producer and writer of Spice World and the director of She's All That comes this musical comedy inspired by and featuring the stars of Fox's hit reality show American Idol. Starring the winner and runner-up of the show's first season, Kelly Clarkson and Justin Guarini, as slightly fictionalized versions of themselves, From Justin to Kelly attempts to recreate the atmosphere of the fun-loving beach musicals of the 1960s. When Kelly (Clarkson) and Justin (Guarini) embark on a vacation in search of some fun in the sun with their respective groups of friends, the two meet and fall for each other at first sight. Unfortunately, a series of comedic mishaps and hijinks gets in the way of them getting together. Several song-and-dance numbers ensue. In addition to Clarkson and Guarini, the film stars Greg Siff, Brian Dietzen, and Katherine Bailess.http://www.ratinghq.com/5-280/from-justin-to-kelly.html2008-05-15 04:56:11This filmed version of the 1927 George Gershwin Broadway musical Funny Face utilizes the play's original star, Fred Astaire, and several of the original tunes, then goes merrily off on its own. Astaire is cast as as fashion photographer Dick Avery (a character based on Richard Avedon, the film's "visual consultant"), who is sent out by his female boss Maggie Prescott (Kay Thompson) to find a "new face". It doesn't take Dick long to discover Jo (Audrey Hepburn, who does her own singing), an owlish Greenwich Village bookstore clerk. Acting as Pygmalion to Jo's Galatea, Dick whisks the wide-eyed girl off to Paris and transforms her into the fashion world's hottest model. Along the way, he falls in love with Jo, and works overtime to wean her away from such phony-baloney intellectuals as Professor Emile Flostre (Michel Auclair). The Gershwin tunes include the title song, "S'wonderful", "How Long Has This Been Going On" and "He Loves and She Loves"; among the newer numbers is Kay Thompson's energetic opener "Think Pink". For years available only in washed-out, flat prints, Funny Face was eventually restored to its full Technicolor and VistaVision glory.http://www.ratinghq.com/5-281/funny-face.html2008-05-15 04:57:23This 1955 film began life as two Runyon short stories, the most prominent of which was "The Idyll of Miss Sarah Brown." This material was fleshed out into a 2-act libretto by Abe Burrows and Jo Swerling, then set to music by Frank Loesser and directed by George S. Kaufman. Opening late in 1950, Guys and Dolls was one of Broadway's hottest tickets for several seasons. The plot involves a certain Broadway citizen by the name of Nathan Detroit (Frank Sinatra), who maintains the "Oldest Established Permanent Floating Crap Game in New York." Seeking a location for his latest high-stakes game, Nathan has an opportunity to rent out the Biltmore Garage, but he needs $1000 to do so. He decides to extract the money from high-rolling Sky Masterson (Marlon Brando), known for his willingness to bet on anything. Nathan wagers that Sky will not be able to talk the virginal Salvation Army lass Sarah Brown (Jean Simmons) into going on a date with him. While Sky goes to work on Sarah, Nathan endeavors to fend off his girlfriend Miss Adelaide (Vivian Blaine, repeating her Broadway role), who has developed a psychosomatic cold because of her frustrating 14-year engagement to the slippery Mr. Detroit. Thanks to some fast finagling, Sky is able to take Sarah on that date, flying to Havana for this purpose. By the time they've returned to New York, Sky and Sarah are in love, but their ardor cools off abruptly when Nathan, unable to secure the Biltmore garage, attempts to use Sarah's mission as the site of his crap game.http://www.ratinghq.com/5-282/guys-and-dolls.html2008-05-15 04:59:17Gilbert & Sullivan's H.M.S. Pinafore opens with the crew of the Pinafore busily and boisterously sprucing up the deck for the arrival of Sir Joseph Porter, a high-ranking admiral. They pause only to buy wares from the peddler called Little Buttercup and then return happily to work. But not all are so happy. Ralph Rackstraw, "the smartest lad in all the fleet," is in love with the Captain's daughter, Josephine, who has been promised to Porter. In spite of this -- and the fact that Josephine and he are far apart in terms of class -- Ralph pursues her, and she eventually confesses her own love for him. The two young lovers plan to elope, but the Captain learns of her plans and puts a halt to them. Porter, furious at Ralph's impertinence, has him imprisoned. At that moment, Buttercup reveals a tremendous secret: Many years in the past, she had been given charge of two babies, one of good family and one of lower status. These turn out to be Ralph and the Captain -- but Buttercup further reveals that she had accidentally switched them. Thus, Ralph is of noble birth and the Captain comes from poverty -- and therefore, Josephine is also of the lower class and no longer a fit mate for Porter. However, the newly-ennobled Ralph has no such reservations, and gladly takes Josephine to be his wife.http://www.ratinghq.com/5-283/h-m-s-pinafore.html2008-05-15 05:38:51Twenty-seven-year-old Barbra Streisand seemed an inappropriate choice for middle-aged, match-making widow Dolly Levi, but her energy carries her right through the role and dominates the lackluster movie around her. The plot, drawn from Thornton Wilder's The Matchmaker (itself based on a 19th-century British farce), is set in motion when Yonkers feed store clerk Cornelius Hackl (Michael Crawford) celebrates his promotion by taking his pal Barnaby Tucker (Danny Lockin) to New York City for a "corking good time." But Cornelius and Barnaby can't avoid crossing paths with their boss Horace Vandergelder (Walter Matthau), who'd give them Holy Ned if he saw them in a fancy restaurant with two fancy girls instead of tending the store. Mr. Vandergelder himself is the object of Dolly's affections, though she pretends to have only a professional interest in the widowed merchant, going through the motions of finding him a new wife when in fact she'd like to be the lucky bride herself. The film's musical set pieces include a show-stopping rendition of the title number, with Louis Armstrong more or less playing himself. The biggest number is "Before the Parade Passes By," in which thousands of costumed marchers and atmosphere extras cavort before a huge replica of a New York City thoroughfare in the 1890s (actually the main entrance of the 20th Century-Fox studio, with period facades adorning the office buildings). An artifact of an era in which Broadway musicals were a significant part of popular culture, Hello Dolly seemed bizarrely irrelevant in the social turmoil of the late 1960s, and it became one of the late-1960s big-budget failures that led Hollywood studios toward a different kind of filmmaking in the 1970s.http://www.ratinghq.com/5-284/hello-dolly.html2008-05-15 05:40:40Bing Crosby and Fred Astaire star in Holiday Inn as a popular nightclub song-and-dance team. When his heart is broken by his girlfriend, Crosby decides to retire from the hustle-bustle of big city showbiz. He purchases a rustic New England farm and converts it to an inn, which he opens to the public (floor show and all) only on holidays. This barely logical plot device allows ample space for a steady flow of Irving Berlin holiday songs (including an incredible blackface number in honor of Lincoln's Birthday). Oddly enough, the most memorable song in the bunch, the Oscar-winning White Christmas, is not offered as a production number but as a simple ballad sung by Crosby to an audience of one: leading lady Marjorie Reynolds. Fred Astaire's best moment is his Fourth of July firecracker dance. Ah, but what about the plot? Well, it seems that Astaire wants to make a film about Crosby's inn, starring their mutual discovery Reynolds. Bing briefly loses Reynolds to Astaire, but wins her back during the filming of a musical number on a Hollywood soundstage (eleven years earlier, Bing enjoyed a final clinch with Marion Davies under surprisingly similar conditions in Going Hollywood). As with most of Irving Berlin's "portfolio" musicals of the 1940s, the song highlights of Holiday Inn are too numerous to mention. This delightful film is far superior to its unofficial 1954 remake, White Christmas. ~ Hal Erickson, All Movie Guidehttp://www.ratinghq.com/5-285/holiday-inn.html2008-05-15 05:42:21This French musical features dialogue and songs by Paris University's Jacques Martineau on a wide range of subjects -- from immigrant workers to book-selling. Travel agency receptionist Jeanne (Virginie Ledoyen and the singing voice of Elise Caron) is always on the lookout for men, and she thinks she's found the perfect guy in Olivier (Mathieu Demy, son of musical director Jacques Demy) -- who turns out to be HIV-positive. Shown at the 1998 Berlin Film Festival, the film is also known as Jeanne and the Perfect Guy.http://www.ratinghq.com/5-286/jeanne-and-the-perfect-guy.html2008-05-15 05:44:05Sally Benson's short stories about the turn-of-the-century Smith family of St. Louis were tackled by a battalion of MGM screenwriters, who hoped to find a throughline to connect the anecdotal tales. After several false starts (one of which proposed that the eldest Smith daughter be kidnapped and held for ransom), the result was the charming valentine-card musical Meet Me in St. Louis. The plot hinges on the possibility that Alonzo Smith (Leon Ames), the family's banker father, might uproot the Smiths to New York, scuttling his daughter Esther (Judy Garland)'s romance with boy-next-door John Truett (Tom Drake) and causing similar emotional trauma for the rest of the household. In a cast that includes Mary Astor as Ames' wife, Lucille Bremer as another Ames daughter, and Marjorie Main as the housekeeper, the most fascinating character is played by 6-year-old Margaret O'Brien. As kid sister Tootie, O'Brien seems morbidly obsessed with death and murder, burying her dolls, "killing" a neighbor at Halloween (she throws flour in the flustered man's face on a dare), and maniacally bludgeoning her snowmen when Papa announces his plans to move to New York. Margaret O'Brien won a special Oscar for her remarkable performance, prompting Lionel Barrymore to grumble "Two hundred years ago, she would have been burned at the stake!" The songs are a heady combination of period tunes and newly minted numbers by Ralph Blane and Hugh Martin, the best of which are The Boy Next Door, The Trolley Song, and Have Yourself a Merry Little Christmas. As a bonus, Meet Me in St. Louis is lensed in rich Technicolor, shown to best advantage in the climactic scenes at the St. Louis World's Fair of 1904.http://www.ratinghq.com/5-287/meet-me-in-st-louis.html2008-05-15 05:48:05At one time the longest-running Broadway musical, My Fair Lady was adapted by Alan Jay Lerner and Frederick Loewe from the George Bernard Shaw comedy Pygmalion. Outside Covent Garden on a rainy evening in 1912, dishevelled cockney flower girl Eliza Doolittle (Audrey Hepburn) meets linguistic expert Henry Higgins (Rex Harrison). After delivering a musical tirade against "verbal class distinction," Higgins tells his companion Colonel Pickering (Wilfred Hyde-White) that, within six months, he could transform Eliza into a proper lady, simply by teaching her proper English. The next morning, face and hands freshly scrubbed, Eliza presents herself on Higgins' doorstep, offering to pay him to teach her to be a lady. "It's almost irresistable," clucks Higgins. "She's so deliciously low. So horribly dirty." He turns his mission into a sporting proposition, making a bet with Pickering that he can accomplish his six-month miracle to turn Eliza into a lady. This is one of the all-time great movie musicals, featuring classic songs and the legendary performances of Harrison, repeating his stage role after Cary Grant wisely turned down the movie job, and Stanley Holloway as Eliza's dustman father. Julie Andrews originated the role of Eliza on Broadway but producer Jack Warner felt that Andrews, at the time unknown beyond Broadway, wasn't bankable; Hepburn's singing was dubbed by Marni Nixon, who also dubbed Natalie Wood in West Side Story (1961). Andrews instead made Mary Poppins, for which she was given the Best Actress Oscar, beating out Hepburn. The movie, however, won Best Picture, Best Director, Best Actor for Harrison, and five other Oscars, and it remains one of the all-time best movie musicals.http://www.ratinghq.com/5-288/my-fair-lady.html2008-05-15 05:51:12Based extremely loosely on the Stephen Vincent Benet story Sobbin' Women," Seven Brides for Seven Brothers is one of the best MGM musicals of the 1950s. Most of the story takes place on an Oregon ranch, maintained by Adam Pontabee (Howard Keel) and his six brothers, played by Jeff Richards, Russ Tamblyn, Tommy Rall, Mark Platt, Matt Mattox, and Jacques d'Amboise (it is no coincidence that five of those six boys are played by professional dancers). When Adam brings home his new bride Milly (Jane Powell), she is appalled at the brothers' slovenliness and sets about turning these unwashed louts into immaculate gentlemen. During the boisterous barn-raising scene, the brothers get into a scuffle with a group of townsmen over the affection of six comely lasses: Virginia Gibson, Julie Newmeyer (later Newmar), Ruth Kilmonis (later Ruth Lee), Nancy Kilgas, Betty Carr, and Norma Doggett (yep, most of the girls are dancers, too). Yearning to become husbands like their big brother, they ask Adam for advice. Alas, he has been reading a book about the abduction of the Sabine Women (or, as he puts it, the Sobbin' Women); and, in order to claim their gals, Adam explains, the boys must kidnap them--which they do, after blocking off all avenues of escape. Vowing to remain on their best behavior, the boys make no untoward advances towards their reluctant female guests--not even during one of the coldest winters on record. Comes the spring thaw, the angry townsfolk come charging up the mountain, demanding the return of the stolen girls (who, by this time, have "tamed" their men). A happy ending is ultimately had by all in this delightful if politically incorrect concoction.http://www.ratinghq.com/5-289/seven-brides-for-seven-brothers.html2008-05-15 05:53:39Hollywood, 1927: the silent-film romantic team of Don Lockwood (Gene Kelly) and Lina Lamont (Jean Hagen) is the toast of Tinseltown. While Lockwood and Lamont personify smoldering passions onscreen, in real life the down-to-earth Lockwood can't stand the egotistical, brainless Lina. He prefers the company of aspiring actress Kathy Selden (Debbie Reynolds), whom he met while escaping his screaming fans. Watching these intrigues from the sidelines is Cosmo Brown (Donald O'Connor), Don's best pal and on-set pianist. Cosmo is promoted to musical director of Monumental Pictures by studio head R.F. Simpson (Millard Mitchell) when the talking-picture revolution commences. That's all right for Cosmo, but how will talkies affect the upcoming Lockwood-Lamont vehicle "The Dueling Cavalier"? Don, an accomplished song-and-dance man, should have no trouble adapting to the microphone. Lina, however, is another matter; put as charitably as possible, she has a voice that sounds like fingernails on a blackboard. The disastrous preview of the team's first talkie has the audience howling with derisive laughter. On the strength of the plot alone, concocted by the matchless writing team of Betty Comden and Adolph Green, Singin' in the Rain is a delight. But with the addition of MGM's catalog of Arthur Freed-Nacio Herb Brown songs -- "You Were Meant for Me," "You Are My Lucky Star," "The Broadway Melody," and of course the title song -- the film becomes one of the greatest Hollywood musicals ever made.http://www.ratinghq.com/5-290/singin-in-the-rain.html2008-05-15 05:55:12The King and I, Richard Rodgers and Oscar Hammerstein's 1951Broadway musical hit, was based on Margaret Landon's book Anna and the King of Siam. Since 20th-Century-Fox had made a film version of the Landon book in 1946, that studio had first dibs on the movie adaptation of King and I. Deborah Kerr plays English widow Anna Leonowens, who comes to Siam in the 1860s to tutor the many wives and children of the country's progressive King (Yul Brynner, recreating his Broadway role-and winning an Oscar in the process). The culture clash between Anna and the King is but one aspect of their multilayered relationship. Through Anna, the King learns the refineries and responsibilities of "modern" western civilization; Anna meanwhile comes to realize how important it is for an Oriental ruler to maintain his pride and to uphold the customs of his people. After a successful evening entertaining foreign dignitaries, Anna and the King celebrate with an energetic dance, but this is cut short by a bitter quarrel over the cruel punishment of the King's new Burmese wife Tuptim (Rita Moreno), who has dared to fall in love with someone else. Despite the many rifts between them, Anna and the monarch come to respect and (to a degree) love one another. When the King dies, Anna agrees to stay on to offer help and advice to the new ruler of Siam, young Prince Chulalongkhorn (Patrick Adiarte). In general, The King and I tends to be somewhat stagey, with the notable exception of the matchless "Small House of Uncle Thomas" ballet, which utilizes the Cinemascope 55 format to best advantage (the process also does a nice job of "handling" Deborah Kerr's voluminous hoopskirts). Most of the Broadway version's best songs ("Getting to Know You", "Whistle a Happy Tune", "A Puzzlement", "Shall We Dance" etc.) are retained. None of the omissions are particularly regrettable, save for Anna's solo "Shall I Tell You What I Think of You?" This feisty attack on the King's chauvinism was specially written to suit the talents of Gertrude Lawrence, who played Anna in the original production; the song was cut from the film because it made Deborah Kerr seem "too bitchy" (Kerr's singing, incidentally, is dubbed for the most part by the ubiquitous Marni Nixon). When all is said and done, the principal attraction of The King and I is Yul Brynner, in the role that made him a star and with which he will forever be identified.http://www.ratinghq.com/5-291/the-king-and-i.html2008-05-15 05:56:37Meredith Wilson's hit 1957 Broadway musical was transferred to the screen in larger-than-life fashion in 1962. Robert Preston repeats his legendary stage performance as fast-talking con man Harold Hill, who goes from town to town selling citizens on starting a "boy's band," then extracts money from them by ordering instruments and uniforms, with the promise that he'll teach the kids how to be musicians. Once he's collected his bankroll, Hill skips town, leaving the kids in the lurch. Looking for new suckers in Iowa, Hill arrives in River City, where he declares that the only way to save the youth of River City from the lure of the poolroom is to organize a boy's band. He charms the mayor's wife Eulalie (Hermione Gingold) into forming a "ladies' dance committee" and sets his sights on winning over local music teacher Marian Paroo (Shirley Jones). Marian rightly considers Hill a fraud, especially when he espouses the "Think System" of learning music: if you think a tune, he claims, you can play it. But Marian becomes Hill's staunchest ally when her young brother Winthrop (Ronny Howard), sullen and withdrawn since the death of his father, exuberantly comes out of his shell at the prospect of joining Hill's band; and Marian's budding romance with the charming but unreliable Hill ultimately brings her out of her own shell as well. Marion Hargrove's script uses most of the original play, with a handful of amusing expansions, especially in the roles played by Gingold and by Buddy Hackett as Hill's comic sidekick. ~ Hal Erickson, All Movie Guidehttp://www.ratinghq.com/5-292/the-music-man.html2008-05-15 05:59:43Woody Deane (Kevin Zegers) and Nell Bedworth (Samaire Armstrong), life-long sworn enemies, wake up one day to find themselves in a very strange place: each other's bodies. In their switched identities, each sets about to destroy the other's high school reputation. When they start to succeed, they both get more than they bargained for. Sometimes falling in love can be an out of body experience. (tribute.ca)http://www.ratinghq.com/5-643/it-s-a-boy-girl-thing.html2008-07-18 14:49:11Developed under the working title, Loosely Based on a True Love Story, the movie is loosely based on a true love story of author Fyodor Dostoevsky, who dictated his novel, The Gambler, in 30 days in order to pay off a gambling debt—and in the process, fell in love with his young stenographer. In Alex and Emma, Alex (Wilson) is the author, who must repay a USD$100,000 debt to the Cuban mafia or face dire consequences. After his laptop is destroyed, he hires Emma (Hudson), a stenographer who talks as much as she writes. As Alex dictates his novel to Emma, the movie cuts away to scenes from the novel, where Adam (Wilson) falls for a series of nannies (all played by Hudson). Eventually life imitates art, and Alex and Emma fall in love. Modeled after the Audrey Hepburn movie, Paris, When It Sizzles.http://www.ratinghq.com/5-665/alex-and-emma.html2008-07-21 09:01:48Dr. T & the Women is a 2000 romantic comedy film directed by Robert Altman. It stars Richard Gere as wealthy gynecologist Dr. Sullivan Travis ("Dr. T") and Helen Hunt, Farrah Fawcett, Laura Dern, Shelley Long, Tara Reid, Kate Hudson and Liv Tyler as "the women".http://www.ratinghq.com/5-668/dr-t-the-women.html2008-07-21 09:11:59The film tells the story of journalist Andie Anderson (Hudson), who works for Composure magazine as the "How to..." girl and is getting bored, wishing that she could write more pieces about things that she considers important, such as politics, economics, religion, poverty, etc. She soon finds herself writing an article called "How To Lose A Guy in 10 Days." Andie tells her boss that she will date a man and do all the things that women tend to do wrong, when they are in relationships, in order to be granted more freedom in her writing.http://www.ratinghq.com/5-669/how-to-lose-a-guy-in-10-days-2003-.html2008-07-21 09:18:16The film tells the story of a young American woman Isabel Walker (Kate Hudson) who travels to Paris to visit her pregnant sister Roxy (Naomi Watts). Roxy's husband Charles-Henri left her for his lover Magda Tellman. Later on, Isabel secretly falls in love with her French uncle-in-law Edgar Cosset and becomes his mistress.http://www.ratinghq.com/5-670/le-divorce-2003-.html2008-07-21 09:23:44