<rss version="2.0"><channel><title>War</title><link>http://www.ratinghq.com</link><description>Ratinghq Category Comments Feed for War</description><generator>RatingHQ (http://www.ratinghq.com)</generator><language>en</language><item><title>Letters from Iwo Jima</title><description>After bringing the story of the American soldiers who fought in the battle of Iwo Jima to the screen in his film Flags of Our Fathers, Clint Eastwood offers an equally thoughtful portrait of the Japanese forces who held the island for 36 days in this military drama. In 1945, World War II was in its last stages, and U.S. forces were planning to take on the Japanese on a small island known as Iwo Jima. While the island was mostly rock and volcanoes, it was of key strategic value and Japan's leaders saw the island as the final opportunity to prevent an Allied invasion. Lt. General Tadamichi Kuribayashi (Ken Watanabe) was put in charge of the forces on Iwo Jima; Kuribayashi had spent time in the United States and was not eager to take on the American army, but he also understood his opponents in a way his superiors did not, and devised an unusual strategy of digging tunnels and deep foxholes that allowed his troops a tactical advantage over the invading soldiers. While Kuribayashi's strategy alienated some older officers, it impressed Baron Nishi (Tsuyoshi Ihara), the son of a wealthy family who had also studied America firsthand as an athlete at the 1932 Olympics. As Kuribayashi and his men dig in for a battle they are not certain they can win -- and most have been told they will not survive -- their story is told both by watching their actions and through the letters they write home to their loved ones, letters that in many cases would not be delivered until long after they were dead. Among the soldiers manning Japan's last line of defense are Saigo (Kazunari Ninomiya), a baker sent to Iwo Jima only days before his wife was to give birth; Shimizu (Ryo Kase), who was sent to Iwo Jima after washing out in the military police; and Lieutenant Ito (Shidou Nakamura), who has embraced the notion of &quot;Death Before Surrender&quot; with particular ferocity. Filmed in Japanese with a primarily Japanese cast, Letters From Iwo Jima was shot in tandem with Flags of Our Fathers, and the two films were released within two months of one another.</description><link>http://www.ratinghq.com/5-392/letters-from-iwo-jima.html</link><pubDate>2008-05-18 23:58:27</pubDate></item><item><title>Full Metal Jacket</title><description>Stanley Kubrick's return to filmmaking after a seven-year hiatus, this film crystallizes the experience of the Vietnam War by concentrating on a group of raw Marine volunteers. Based on Gustav Hasford's novel The Short Timers, the film's first half details the volunteers' harrowing boot-camp training under the profane, power-saw guidance of drill instructor Sgt. Hartman (R. Lee Ermey, a real-life drill instructor whose performance is one of the most terrifyingly realistic on record). Part two takes place in Nam, as seen through the eyes of the now thoroughly indoctrinated marines. Ironically, Full Metal Jacket was filmed almost entirely in England.</description><link>http://www.ratinghq.com/5-393/full-metal-jacket.html</link><pubDate>2008-05-18 23:59:54</pubDate></item><item><title>Oh! What a Lovely War</title><description>Oh! What a Lovely War is an every-man-for-himself adaptation of Charles Chilton's 1963 play, as staged in London by Joan Littlewood. The tragedy of World War I is redefined in bawdy music-hall terms, beginning with a verbal free-for-all involving the Crowned Heads of Europe. The war is presented as the &quot;new attraction&quot; at the Brighton Amusement Pier, complete with syrupy cheer-up songs, shooting galleries, free prizes and a scoreboard toting up the dead. Throughout the proceedings, the camera concentrates on a middle-class family, whose five sons end up as cannon fodder. The final image is a veddy proper British picnic on a graveyard. Of the many fleeting satiric images parading past the camera, one of the most indelible is the sight of several generals playing leapfrog as the world all around them goes to hell in a handbasket. The awesome all-star cast includes Laurence Olivier, Ralph Richardson, Maggie Smith, John Gielgud, Michael Redgrave, Jack Hawkins, John Mills, Susannah York, Dirk Bogarde and Phyllis Calvert. We haven't seen this many Englishmen in one place since the last Wimbledon match. The whole affair was supervised by Richard Attenborough, making his directorial debut (a question: why was he up to the challenge of this musical extravaganza, yet seemed helpless in the face of 1985's A Chorus Line?).</description><link>http://www.ratinghq.com/5-394/oh-what-a-lovely-war.html</link><pubDate>2008-05-19 00:01:20</pubDate></item><item><title>Platoon</title><description>Oliver Stone's breakthrough as a director, Platoon is a brutally realistic look at a young soldier's tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late '60s. He's shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks &quot;in country,&quot; Taylor begins to see the naïveté of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood's first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films.</description><link>http://www.ratinghq.com/5-395/platoon.html</link><pubDate>2008-05-19 00:02:43</pubDate></item><item><title>The Deer Hunter</title><description>One of several 1978 films dealing with the Vietnam War (including Hal Ashby's Oscar-winning Coming Home), Michael Cimino's epic second feature The Deer Hunter was both renowned for its tough portrayal of the war's effect on American working class steel workers and notorious for its ahistorical use of Russian roulette in the Vietnam sequences. Structured in five sections contrasting home and war, the film opens in Clairton, PA, as Mike (Robert De Niro), Nick (Christopher Walken), and Stan (John Cazale, in his last film) celebrate the wedding of their friend Steve (John Savage) and go on a final deer hunt before the men leave for Vietnam. Mike treats hunting as a test of skill, lecturing Stan about the value of &quot;one shot&quot; deer slaying and brushing off Nick's urgings to appreciate nature's beauty. As Mike ruminates post-hunt, the film cuts to the horror of Vietnam, where the men are captured by Vietcong soldiers who force Mike and Nick to play Russian roulette for the V.C.'s amusement. Mike turns the game to his advantage so they can escape captivity, but the men are permanently scarred by the episode. Steve loses his legs; Nick vanishes in the Saigon Russian roulette parlors. Mike returns alone to Clairton a changed man, as he rejects the killing of the deer hunt and finds solace with Nick's old girlfriend Linda (Meryl Streep). Disgusted by the antics of his male cohorts at home, Mike decides to bring Steve back from a veterans' hospital, and he returns to Saigon to find Nick. As Saigon falls, Mike discovers how far gone Nick is; the survivors gather in Clairton for a funeral breakfast, singing an impromptu rendition of &quot;God Bless America.&quot;</description><link>http://www.ratinghq.com/5-396/the-deer-hunter.html</link><pubDate>2008-05-19 00:03:52</pubDate></item><item><title>All Quiet on the Western Front</title><description>One of the most powerful anti-war statements ever put on film, this gut-wrenching story concerns a group of friends who join the Army during World War I and are assigned to the Western Front, where their fiery patriotism is quickly turned to horror and misery by the harsh realities of combat. Director Lewis Milestone pioneered the use of the sweeping crane shot to capture a ghastly battlefield panorama of death and mud, and the cast, led by Lew Ayres, is terrific. It's hard to pick a favorite scene, but the finale, as Ayres stretches from his trench to catch a butterfly, is one of the most devastating sequences of the decade. The film won Oscars for Best Picture and for Milestone's direction -- and trivia buffs should note that the actors were coached by future luminary George Cukor, while Ayres became a conscientious objector in World War II. The Road Back (1937) followed, and the film was remade for television in 1979.</description><link>http://www.ratinghq.com/5-397/all-quiet-on-the-western-front.html</link><pubDate>2008-05-19 00:05:02</pubDate></item><item><title>Apocalypse Now</title><description>One of a cluster of late-1970s films about the Vietnam War, Francis Ford Coppola's Apocalypse Now adapts the Joseph Conrad novella Heart of Darkness to depict the war as a descent into primal madness. Capt. Willard (Martin Sheen), already on the edge, is assigned to find and deal with AWOL Col. Kurtz (Marlon Brando), rumored to have set himself up in the Cambodian jungle as a local, lethal godhead. Along the way Willard encounters napalm and Wagner fan Col. Kilgore (Robert Duvall), draftees who prefer to surf and do drugs, a USO Playboy Bunny show turned into a riot by the raucous soldiers, and a jumpy photographer (Dennis Hopper) telling wild, reverent tales about Kurtz. By the time Willard sees the heads mounted on stakes near Kurtz's compound, he knows Kurtz has gone over the deep end, but it is uncertain whether Willard himself now agrees with Kurtz's insane dictum to &quot;Drop the Bomb. Exterminate them all.&quot; Coppola himself was not certain either, and he tried several different endings between the film's early rough-cut screenings for the press, the Palme d'Or-winning &quot;work-in-progress&quot; shown at Cannes, and the final 35 mm U.S. release (also the ending on the video cassette). The chaotic production also experienced shut-downs when a typhoon destroyed the set and star Sheen suffered a heart attack; the budget ballooned and Coppola covered the overages himself. These production headaches, which Coppola characterized as being like the Vietnam War itself, have been superbly captured in the documentary, Hearts of Darkness: A Filmmaker's Apocalypse. Despite the studio's fears and mixed reviews of the film's ending, Apocalypse Now became a substantial hit and was nominated for eight Academy Awards, including Best Picture, Best Director, Best Supporting Actor for Duvall's psychotic Kilgore, and Best Screenplay. It won Oscars for sound and for Vittorio Storaro's cinematography. This hallucinatory, Wagnerian project has produced admirers and detractors of equal ardor; it resembles no other film ever made, and its nightmarish aura and polarized reception aptly reflect the tensions and confusions of the Vietnam era.</description><link>http://www.ratinghq.com/5-398/apocalypse-now.html</link><pubDate>2008-05-19 00:06:49</pubDate></item><item><title>Apocalypse Now Redux</title><description>Francis Coppola had more than his share of production difficulties while shooting his epic-scale Vietnam War drama Apocalypse Now, including disastrous weather conditions, problems with his leading men (Harvey Keitel was fired after less than two weeks on the project and was replaced by Martin Sheen, who suffered a heart attack midway through production), and a schedule and budget that quickly spiraled out of control (originally budgeted at $10 million, the film's final cost was over $30 million). But Coppola's troubles didn't end when he got his footage into the editing room, and he tinkered with a number of different structures and endings before settling on the film's 153-minute final cut in time for its initial theatrical release in 1979. Twenty-two years later, Francis Coppola returned to the material, and created Apocalypse Now Redux, an expanded and re-edited version of the film that adds 53 minutes of footage excised from the film's original release. In addition to adding a number of smaller moments that even out the film's rhythms, Apocalypse Now Redux restores two much-discussed sequences that Coppola chose not to include in his original edition of the film -- an encounter in the jungle between Willard (Martin Sheen), his crewmates Chief (Albert Hall), Clean (Larry Fishburne), Chef (Frederic Forrest), and Lance (Sam Bottoms) and a trio of stranded Playboy models on a U.S.O. tour, as well as a stopover at a plantation operated by French colonists De Marais (Christian Marquand) and Roxanne (Aurore Clement). Apocalypse Now Redux received a limited theatrical release in August of 2001 after a well-received screening at the Cannes Film Festival -- the same month that the film finally reached theaters in 1979, after a rough cut received a Golden Palm award at the Cannes Festival.</description><link>http://www.ratinghq.com/5-399/apocalypse-now-redux.html</link><pubDate>2008-05-19 00:07:40</pubDate></item><item><title>Born on the Fourth of July</title><description>The second of three films by co-writer/director Oliver Stone to explore the effects of the Vietnam War (Platoon and Heaven and Earth are the others), Born On The Fourth Of July tells the true story of Ron Kovic (Tom Cruise), a patriotic, All-American small town athlete who shocks his family by enlisting with the Marines to fight in the Vietnam War. Once he is overseas, however, Kovic's gung-ho enthusiasm turns to horror and confusion when he accidentally kills one of his own men in a firefight. His downfall is furthered by a bullet wound that leaves him paralyzed from the chest down. He returns home, spends an appalling, nightmarish stint in a veterans' hospital, and follows an increasingly disillusioned and fragmented path that ultimately leaves him drunk and dissolute in Mexico. However, Kovic somehow turns himself around and pulls his life together, becoming an outspoken anti-war activist in the process. The film is long but emotionally powerful; many consider it Stone's best work and Cruise's best performance. Both were nominated for Oscars, as was the film itself, but only Stone, who co-wrote the film with Kovic from the latter's book, won for Best Director.</description><link>http://www.ratinghq.com/5-400/born-on-the-fourth-of-july.html</link><pubDate>2008-05-19 00:09:26</pubDate></item><item><title>Cold Mountain</title><description>Based on the novel by Charles Frazier, Anthony Minghella's star-studded Cold Mountain is a sweeping tale set in the final days of the American Civil War. Jude Law stars as Inman, a young soldier who, despite an injury, is struggling to make his way home to Cold Mountain, NC, where his beloved Ada (Nicole Kidman) awaits. In Inman's absence, Ada befriends Ruby (Renée Zellweger), who helps her keep up her late father's farm. Meanwhile, in his travels, Inman encounters a menagerie of interesting folks. Also starring Natalie Portman, Giovanni Ribisi, Donald Sutherland, and Philip Seymore Hoffman, Cold Mountain features original music by Jack White of the White Stripes.</description><link>http://www.ratinghq.com/5-401/cold-mountain.html</link><pubDate>2008-05-19 00:10:41</pubDate></item><item><title>Dr. Strangelove or How I Learned to Stop Worrying and Love t</title><description>In 1964, with the Cuban Missile Crisis fresh in viewers' minds, the Cold War at its frostiest, and the hydrogen bomb relatively new and frightening, Stanley Kubrick dared to make a film about what could happen if the wrong person pushed the wrong button -- and played the situation for laughs. Dr. Strangelove's jet-black satire (from a script by director Stanley Kubrick, Peter George, and Terry Southern) and a host of superb comic performances (including three from Peter Sellers) have kept the film fresh and entertaining, even as its issues have become (slightly) less timely. Loaded with thermonuclear weapons, a U.S. bomber piloted by Maj. T.J. &quot;King&quot; Kong (Slim Pickens) is on a routine flight pattern near the Soviet Union when they receive orders to commence Wing Attack Plan R, best summarized by Maj. Kong as &quot;Nuclear combat! Toe to toe with the Russkies!&quot; On the ground at Burpleson Air Force Base, Group Capt. Lionel Mandrake (Peter Sellers) notices nothing on the news about America being at war. Gen. Jack D. Ripper (Sterling Hayden) calmly informs him that he gave the command to attack the Soviet Union because it was high time someone did something about fluoridation, which is sapping Americans' bodily fluids (and apparently has something to do with Ripper's sexual dysfunction). Meanwhile, President Merkin Muffley (Sellers again) meets with his top Pentagon advisors, including super-hawk Gen. Buck Turgidson (George C. Scott), who sees this as an opportunity to do something about Communism in general and Russians in particular. However, the ante is upped considerably when Soviet ambassador de Sadesky (Peter Bull) informs Muffley and his staff of the latest innovation in Soviet weapons technology: a &quot;Doomsday Machine&quot; that will destroy the entire world if the Russians are attacked.</description><link>http://www.ratinghq.com/5-402/dr-strangelove-or-how-i-learned-to-stop-worrying-and-love-t.html</link><pubDate>2008-05-19 00:12:13</pubDate></item><item><title>Gallipoli</title><description>The first of two consecutive films to see director Peter Weir team with Mel Gibson (the other being The Year of Living Dangerously), Gallipoli follows two idealistic young friends, Frank (Gibson) and Archy (Mark Lee), who join the Australian army during World War I and fight the doomed Battle of Gallipoli in Turkey. The first half of the film documents the lives of the young men in Australia, detailing their personalities and beliefs. The second half of the movie chronicles the ill-fated and ill-planned battle, where the Australian and New Zealand Army Corps is hopelessly outmatched by the enemy forces. Gallipoli was the recipient of eight prizes at the 1981 Australian Film Institute Awards.</description><link>http://www.ratinghq.com/5-403/gallipoli.html</link><pubDate>2008-05-19 00:13:10</pubDate></item><item><title>Grand Illusion</title><description>Frequently cited as both one of the greatest films about war and one of the greatest films ever made, Jean Renoir's La Grande Illusion is an often witty, sometimes poignant, frequently moving examination of the futility of war. During World War I, twoFrench airmen are shot down while taking surveillance photographs in German territory: Capt. de Boeldieu (Pierre Fresnay), a wealthy and aristocratic officer; Lt. Maréchal (Jean Gabin), a burly but intelligent working-class mechanic. The three are brought to a P.O.W. camp, where they encounter and befriend Rosenthal (Marcel Dalio), a prosperous Jewish banker, and the commander, Von Rauffenstein (Erich von Stroheim), takes an immediate liking to de Boeldieu.They are members of the same social class and believe that the political and intellectual ideals of the Europe they once knew will soon be a thing of the past with the rise to power of the proletariat. The three Frenchmen discover that their fellow prisoners have been digging an escape tunnel, and all of them agree to help -- Maréchal and Rosenthal with enthusiasm, de Boeldieu out of a sense of duty. As he puts it, when on a golf course, one plays golf, and while in a prison camp, one tries to escape -- it's the accepted thing to do. As Von Rauffenstein and de Boeldieu become friends, and the rank-and-file soldiers banter as much with the German guards as with each other, the characters seem involved less in a war than in some vast, petty game, albeit one with deadly consequences; they often talk about women and food, while never mentioning political ideology.</description><link>http://www.ratinghq.com/5-404/grand-illusion.html</link><pubDate>2008-05-19 00:14:52</pubDate></item><item><title>Hair</title><description>Milos Forman's adaptation of the tribal rock musical Hair stars John Savage as Claude, a quiet young man from the Midwest who becomes friendly with a group of New York hippies on his way to begin basic training in the military. The repressed Claude is quite taken with Berger (Treat Williams) and the group of freedom seekers who reside in Central Park. The group encourages Claude to go after a debutante named Sheila (Beverly D'Angelo). Legendary choreographer Twyla Tharp masterminded the dances, which attempt to flow from the natural settings of the film. The film includes most of the more famous songs from the original play, including &quot;Donna,&quot; &quot;Aquarius,&quot; &quot;Easy to Be Hard,&quot; &quot;Let the Sunshine In,&quot; &quot;Good Morning Starshine,&quot; &quot;Frank Mills,&quot; and the title number.</description><link>http://www.ratinghq.com/5-405/hair.html</link><pubDate>2008-05-19 00:16:11</pubDate></item><item><title>Hamburger Hill</title><description>Though the anti-war sentiments of Hamburger Hill come through loud and clear, the film is squarely on the side of those courageous, much-maligned Americans who fought and died in Vietnam. Based on a true incident, the story takes place in 1969, as the 101st Airborne Division confronts the Vietcong in a bloody battle over Hill 937 (aka &quot;Hamburger Hill&quot;) in the Ashua Valley. During the next 10 days, both sides incur heavy losses, but the Cong refuse to surrender the hill. The ultimate American &quot;victory&quot; turns out to be a hollow one indeed. Scripted by Vietnam war vet Jim Carabatsos, Hamburger Hill not only underlines the futility of the war but also the pressures brought to bear upon the troops by an insensitive, often hostile media. By utilizing a cast of unknowns, director Jim Irvin deftly avoids the Hollywoodized slickness of such bigger-budgeted efforts as Apocalypse Now and The Deer Hunter.</description><link>http://www.ratinghq.com/5-406/hamburger-hill.html</link><pubDate>2008-05-19 00:17:23</pubDate></item><item><title>Kelly's Heroes</title><description>Like M*A*S*H and Catch-22, both released the same year, this military comedy takes place in an earlier war but is really a thinly disguised treatise on the modern-day insanity and avariciousness then unfolding in Vietnam. Clint Eastwood stars as Kelly, a former lieutenant whose illusions about the glory of war, if he has any, are lost when he is busted in rank for following some poorly considered orders in World War II France. After capturing a friendly German officer, Kelly learns the whereabouts of millions of dollars in gold bars, earmarked to finance a military payroll. Taking advantage of a three-day liberty, Kelly assembles a motley trio of fellow soldiers to help him sneak behind enemy lines and retrieve the booty. They include Big Joe (Telly Savalas), a gruff sergeant; Crapgame (Don Rickles), a supply sergeant already enriching himself as a black marketer and con man; and the hippie-like tank commander Oddball (Donald Sutherland). Since crossing into enemy-held territory means heading in the opposite direction of the retreating Allies, Kelly and his men encounter armed resistance. Receiving word of their campaign, the vain General Colt (Carroll O'Connor) mistakes the quartet of freelancing scam artists for all-American heroes.</description><link>http://www.ratinghq.com/5-407/kelly-s-heroes.html</link><pubDate>2008-05-19 00:18:42</pubDate></item><item><title>Mother Night</title><description>Kurt Vonnegut Jr. once summarized the moral of his novel Mother Night like so: &quot;We are what we pretend to be, so we must be careful about what we pretend to be.&quot; In Keith Gordon's film adaptation of Vonnegut's book, Nick Nolte stars as Howard W. Campbell Jr., an American playwright living in Germany shortly before the U.S. entered World War II. Campbell is essentially apolitical; if he sometimes hobnobs with Nazi leaders, it's only because they're VIPs in his time, place, and social circle, and he cares for little besides his writing and his beloved wife Helga (Sheryl Lee). One day, Campbell is approached by Frank Wirtenan (John Goodman), an American intelligence agent who offers Campbell an unusual assignment -- a position as a radio commentator beaming Nazi propaganda broadcasts to U.S. troops across Europe, which in fact feature coded information that will aid the American war effort. Campbell agrees, but succeeds all too well -- he makes such a convincing Nazi sympathizer that at the end of the war, he finds it impossible to convince people he wasn't really a Nazi, and even those inclined to believe him feel he aided Germany as much as the Allies. After 15 years as a recluse in New York City, a racist tabloid prints a story about Campbell, and in 1961 he discovers himself behind bars, awaiting trial as a war criminal. Besides Nick Nolte, who gives an outstanding performance, the supporting cast also includes Alan Arkin, Frankie Faison, and Kirsten Dunst; Kurt Vonnegut Jr. also makes a cameo appearance.</description><link>http://www.ratinghq.com/5-408/mother-night.html</link><pubDate>2008-05-19 00:20:10</pubDate></item><item><title>No Man's Land</title><description>The grim futility of the war between Bosnia and Serbia is reduced to its essence as two enemy soldiers are forced to share a wary trust for one another in this drama. A group of Bosnian soldiers are advancing upon Serbian territory during a misty night when the fog lifts at daybreak, making them plainly visible to their enemy. Serb forces open fire upon them, and soon only Chiki (Brancko Djuric) is still alive, after diving into a trench in no man's land. Two Serbian soldiers scouting the area set up a land mine using the body of a Bosnian soldier as &quot;bait;&quot; if moved, the mine will jump into the air and explode. Chiki watches as the soldiers set the trap, and furious at the disrespect to his fallen comrades, he kills one of the Serbs, and takes the other, Nino (Rene Bitorajac), hostage. With both soldiers alone and equally armed, they find themselves at a stalemate, and begin trying to attract help from either side. Eventually, the two men are found by a squadron of French soldiers attached to a U.N. peacekeeping unit; now held by supposedly neutral forces, Chiki and Nino are with the French troops when it's discovered that the dead Bosnian soldier isn't dead after all, though no one is sure how to disarm the mine without killing him in the process. No Man's Land was the debut feature from Bosnian writer and director Danis Tanovic.</description><link>http://www.ratinghq.com/5-409/no-man-s-land.html</link><pubDate>2008-05-19 00:21:06</pubDate></item><item><title>Paths of Glory</title><description>Adapting Humphrey Cobb's novel to the screen, director Stanley Kubrick and his collaborators Calder Willingham and Jim Thompson set out to make a devastating anti-war statement, and they succeeded above and beyond the call of duty. In the third year of World War I, the erudite but morally bankrupt French general Broulard (Adolphe Menjou) orders his troops to seize the heavily fortified &quot;Ant Hill&quot; from the Germans. General Mireau (George MacReady) knows that this action will be suicidal, but he will sacrfice his men to enhance his own reputation. Against his better judgment, Colonel Dax (Kirk Douglas) leads the charge, and the results are appalling. When, after witnessing the slaughter of their comrades, a handful of the French troops refuse to leave the trenches, Mireau very nearly orders the artillery to fire on his own men. Still smarting from the defeat, Mireau cannot admit to himself that the attack was a bad idea from the outset: he convinces himself that loss of Ant Hill was due to the cowardice of his men. Mireau demands that three soldiers be selected by lot to be executed as an example to rest of the troops. Acting as defense attorney, Colonel Dax pleads eloquently for the lives of the unfortunate three, but their fate is a done deal. Even an eleventh-hour piece of evidence proving Mireau's incompetence is ignored by the smirking Broulard, who is only interested in putting on a show of bravado. A failure when first released (it was banned outright in France for several years), Paths of Glory has since taken its place in the pantheon of classic war movies, its message growing only more pertinent and potent with each passing year (it was especially popular during the Vietnam era).</description><link>http://www.ratinghq.com/5-410/paths-of-glory.html</link><pubDate>2008-05-19 00:22:26</pubDate></item><item><title>Prisoner of the Mountains</title><description>Political rivals, divided by a bloody war, are forced to come to terms with one another in this drama, which was adapted from Leo Tolstoy's short story &quot;Prisoner of the Caucasus.&quot; In Chechnya, two Russian soldiers, nervous rookie Vania (Sergei Bodrov, Jr.) and hardened veteran Sasha (Oleg Menshikov), are captured by Muslim forces. Abdul-Murat (Dzhemal Sikharulidze), the leader of the village where the soldiers are held, also has a son in the war, who is being held as a prisoner of war by the Russians. Abdul-Murat demands the release of his son in exchange for sparing Vania and Sasha, and a level of understanding and respect begins to grow between the Russians and their captors. Kavkazsky Plennik, released in the U.S. as Prisoner of the Mountains, received both Oscar and Golden Globe nominations as Best Foreign Language Film of 1997.</description><link>http://www.ratinghq.com/5-411/prisoner-of-the-mountains.html</link><pubDate>2008-05-19 00:23:36</pubDate></item><item><title>Stalingrad</title><description>This German battlefield drama, released on the occasion of the fiftieth anniversary of the climactic 1943 defeat of the Nazi forces at Stalingrad in Russia, does not paint a pretty picture either of war itself or of the Germans fighting in that war. Out of hundreds of thousands of previously victorious German soldiers who took part in this most crucial battle of WWII, a mere six thousand ruined men survived. Today, the word &quot;Stalingrad&quot; is used by Germans to signify any particularly ruinous reversal or defeat. In the story, the lives of several German soldiers are followed as they are transformed from arrogant and victorious killers into demoralized cowards who will do anything at all in order to survive, usually without success. Due to a political climate of resurgent sympathy for the fascists at the time this film was made, is was particularly important to the filmmakers to show the soldiers as lacking any shred of military dignity or real courage. Thus, though this big budget, well-made film did well in Germany, its lack of any truly sympathetic characters made it less popular elsewhere.</description><link>http://www.ratinghq.com/5-412/stalingrad.html</link><pubDate>2008-05-19 00:25:01</pubDate></item><item><title>The Great Dictator</title><description>&quot;This is the story of the period between two world wars--an interim during which insanity cut loose, liberty took a nose dive, and humanity was kicked around somewhat.&quot; With this pithy opening title, Charles Chaplin begins his first all-talking feature film, The Great Dictator. During World War I, a Jewish barber (Chaplin) in the army of Tomania saves the life of high-ranking officer Schultz (Reginald Gardiner). While Schultz survives the conflict unscathed, the barber is stricken with amnesia and bundled off to a hospital. Twenty years pass: Tomania has been taken over by dictator Adenoid Hynkel (Chaplin again) and his stooges Garbitsch (Henry Daniell) and Herring (Billy Gilbert). Hynkel despises all Jews and regularly wreaks havoc on the Tomanian Jewish ghetto, where feisty Hannah (Paulette Goddard) lives. Meanwhile, the little barber escapes from the hospital and instinctively heads back to his cobweb-laden ghetto barber shop. Unaware of Hynkel's policy towards Jews (in fact, he's unaware of Hynkel), the barber gets into a slapstick confrontation with a gang of Aryan storm troopers. He is rescued by his old friend Schultz, now one of Hynkel's most loyal officers. Thanks to Schultz's protection, the ghetto receives a brief respite from Hynkel's persecution. The barber sets up shop again, developing a warm platonic relationship with the lovely Hannah. But things take a sorry turn when Hynkel, angered that a Jewish banker has refused to finance his impending war with Austerlitz, begins bearing down again on the Ghetto. Near the end of the film, when the dictator is expected to make another one of his hate-filled, war-mongering speeches, the barber steps up to the microphones...and Charles Chaplin drops character and becomes &quot;himself,&quot; delivering an impassioned plea for peace, tolerance, and humanity.</description><link>http://www.ratinghq.com/5-413/the-great-dictator.html</link><pubDate>2008-05-19 00:26:32</pubDate></item><item><title>The Thin Red Line</title><description>The return of director Terrence Malick to feature filmmaking after a twenty year sabbatical, this World War II drama is an elegiac rumination on man's destruction of nature and himself, based on James Jones' semi-autobiographical novel, his follow-up to From Here to Eternity. James Caviezel stars as Private Witt, a deserter living in peace and harmony with the natives of a Pacific island paradise. Captured by the Navy, Witt is debriefed by a senior officer (Sean Penn) and returned to an active duty unit preparing for what will be the Battle of Guadalcanal. As Witt goes ashore in the company of his fellow soldiers, they meet diverse fates. Sergeant Keck (Woody Harrelson) is killed by an exploding grenade. Captain John Gaff (John Cusack) is an intelligent, sober leader facing the destruction of his command because his commanding officer Colonel Tall (Nick Nolte) is bucking for a general's star. Sergeant McCron (John Savage) loses his mind. Private Bell (Ben Chaplin) gets a &quot;Dear John&quot; letter from his beloved wife. However, as the U.S. troops advance up grassy slopes toward entrenched Japanese positions, it is Witt's voiced-over ruminations on life, death, and nature that are the real heart and soul of The Thin Red Line (1998). Adrien Brody appears as Private Fife, the major character of Jones' novel and the author's alter-ego, although Fife has been relegated to a minor supporting role by Malick's filmed adaptation.</description><link>http://www.ratinghq.com/5-414/the-thin-red-line.html</link><pubDate>2008-05-19 00:27:57</pubDate></item><item><title>Three Kings</title><description>Three stars team up for this unusual look at America's role in the war against Iraq. In 1991, as the Gulf War winds to a close, three American servicemen find themselves happy to have achieved victory but wondering about the ultimate importance of what they've done (especially since Saddam Hussein is still in power). Major Archie Gates (George Clooney) is a decorated Vietnam veteran and special forces officer with two weeks to go before he retires; Sgt. Troy Barlow (Mark Wahlberg) has a new baby at home; and Chief Elgin (Ice Cube) is probably just going to end up back in Detroit. So when one of them comes across a map that seems to point out where Saddam's forces have stashed a large cache of gold they stole from Kuwait, they decide to follow the trail and take some of the war booty for themselves. However, the deeper they journey into Iraq, the more they see of the consequences of America's policies in the Middle East. Although President George Bush and the American military urged Iraqi citizens to rise up against Saddam Hussein, and pledged their support to a people's movement against the leader, Iraqis found that when they took to the streets against Saddam, the United States did not back them up, and the loss of Iraqi lives was fearsome. When Gates, Barlow and Elgin become aware of what's happening, they're torn between their desire to grab the fortune they came for and the demands of their conscience to help the people they came to liberate. Three Kings was directed by David O. Russell and marked a significant change of direction after his dark-humored relationship comedies, Spanking the Monkey and Flirting with Disaster.</description><link>http://www.ratinghq.com/5-415/three-kings.html</link><pubDate>2008-05-19 00:29:29</pubDate></item><item><title>A Midnight Clear</title><description>Based on a novel by William Wharton, A Midnight Clear is set in the Adriennes Forest in December of 1944. A group of American GIs, all of whom have been together a bit too long, cling to the vestiges of their peacetime interests to remain sane. None are brilliant soldiers, though Will Knot Ethan Hawke is the one who exhibits the strongest leadership qualities. Billeted at a chateau, the soldiers begin hearing strange noises emanating from a graveyard, the handiwork of a group of mischievous German soldiers. The two enemy camps draw closer to one another as Christmas approaches, due in great part to the influence of GI Vince &quot;Mother&quot; Wilkins Gary Sinise. A sudden, impulsive hostile act results in the wholesale -- and unnecessary -- slaughter of the German soldiers. Though the exteriors are convincingly mid-European, the film was actually lensed in Utah.</description><link>http://www.ratinghq.com/5-416/a-midnight-clear.html</link><pubDate>2008-05-19 00:30:23</pubDate></item></channel></rss>